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PRESS RELEASE
GENESIS | Genetic Research & Digital Visualization in the Performing Arts
![genesisproject-uop](https://static.wixstatic.com/media/8e97d6_3ebab51878d742d9b73e59671dca336c~mv2.jpg/v1/fill/w_75,h_104,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/WEB_LOWres_GENESIS3_01_edited.jpg)
Sur les traces de l’Orestie (une comédie organique ?) de Romeo Castellucci: De sa conception (1995) à sa reprise (2015)
![Image-empty-state.png](https://static.wixstatic.com/media/8e97d6_0a4312907549424c9071461cbb11e602~mv2.png/v1/fill/w_741,h_421,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/Image-empty-state.png)
Eleni Papalexiou & Avra Xepapadakou (2023). «Sur les traces de l’Orestie (une comédie organique ?) de Romeo Castellucci: De sa conception (1995) à sa reprise (2015)», Parcours de génétique théâtrale: brouillons, variations et transpositions, Sophie Lucet & Ana-Clara Santos (eds), Paris : Le Manuscrit, 99-128.
This paper explores the creative process of the Oresteia (an organic comedy?), a groundbreaking theatrical production created/directed by Romeo Castellucci in 1995 and 2015. In the paper, a genetic methodology of performance analysis is applied through the thorough study of a plethora of primary sources and the constitution of the detailed "genetic file" of the production.
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