The full documentation of the primary creative material is the first necessary step in our quest to gain access to the creative process. Analyzing this material contributes towards understanding of the stage language and the idiosyncratic poetics of the acclaimed stage directors, Romeo Castellucci and Dimitris Papaioannou. The establishment of a solid methodological framework is hoped to fill a large gap in the field of performance analysis, introducing a methodology linking archival research with theatre genetics and the digital humanities.
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