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Genesis Project

Unveiling the mentality of the artist

The researcher is called upon to study and understand the archives, in order to unveil the artists’ mentality. The sole purpose of this...

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Genesis Project

The archive is alive

Another adversity was in fact intertwined with the specificity of the archive, which stems from its very nature: it is not a historical...

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Genesis Project

Mutual trust and harmonious collaboration of researchers and artists

Working in a living archive does not only require the application of scientific principles and technological practices, but is primarily...

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Genesis Project

Who really is Socìetas Raffaello Sanzio?

During our work at the archive of Socìetas Raffaello Sanzio we encountered difficulties, which were not always related to technical or...

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Genesis Project

Ηλί, Ηλί, Λαμά Σαβαχθανί;

«Ηλί, Ηλί, Λαμά Σαβαχθανί;» [Θεέ μου, θεέ μου, γιατί με εγκατέλειψες;], ψιθυρίζει ο Ενκίντου και αρχίζει να κλοτσάει με βίαια λακτίσματα...

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Genesis Project

The father-figure in the form of a bull

Τhe 'Genesis project' team would like to express their deepest condolences to Dimitris Papaioannou for the loss of his beloved father....

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Genesis Project

Visual arts and complimentary inspiration material

The basic iconography for the handling of the bull in Dimitris Papaioannou's Transverse Orientation derives from Pablo Picasso. The...

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Genesis Project

Readings and theoretical references

The primary literary/intertextual reference of Transverse Orientation is easily pinpointed in Greek mythology, and more specifically the...

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Genesis Project

Dimitris' very specific poetics

"I have a lot of appreciation for Dimitris' very specific poetics. He mixes many layers, low and high culture, mythology, geometry,...

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Genesis Project

The basic theoretical framework

Through the thorough studying of previous #literature on Theatre #Genetics, we have constructed the basic theoretical framework in which...

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